Juan Dominguez is a conceptual clown, magical cowboy, model-poet and curator of pleasure.
Precursor together with Lila Guerrero and Rubén Ortiz of the Critic Pleasure Movement.
As a maker and organizer within the fields of choreography and performing arts his work explores the relationship between different codes and advocates the complete dissolution between fiction and reality, using the former to produce the latter and vice versa. He is currently working on the construction of contexts that generate stronger and lasting relationships through continuity. He is also working on the idea of co-authorship between all the agents involved in a live aesthetic experience.
Some of his works are: The taste is mine (1999) All good spies are my age (2002), The Application (2005), Shichimi Togarashi in collaboration with Amalia Fernandez (2006), All good artists my age are dead (2007), Don’t even think about it! (2008), blue (2009), Clean Room Pilot (2010), A room without view (2011), Characters Arriving in collaboration with Los Torreznos (2011), Clean Room Season 1 (2012), Clean Room Season 2 (2014), El Triunfo de la Libertad in collaboration with La Ribot and Juan Loriente (2014), Clean Room Season 3 (2016), Between what is no longer and what is not yet (2016), Festival Avant-Garten (2017), My Only Memory (2018).
In the last 14 years he has curated different festivals and programs. He was artistic director of the Festival In-Presentable/La Casa Encendida (2003-12), co-designer of Living Room Festival (2010-13), co-curator of Picnic Sessions at C2M-Madrid (2013-15), co-designer Festival Avant-Garten at Interntional Sommer Festival Kampnagel-Hamburg (2017) amongst others.