Juan Dominguez is a conceptual clown, magical cowboy and model poet.

As a maker and organizer within the fields of choreography and performing arts his work explores the relationship between different codes and advocates the complete dissolution between fiction and reality, using the former to produce the latter and vice versa. He is currently working on the construction of contexts that generate stronger and lasting relationships through continuity. He is also working on the idea of co-authorship between all the agents involved in a live aesthetic experience.

Some of his works are: The taste is mine (1999) All good spies are my age (2002), The Application (2005), Shichimi togarashi (2006), All good artists my age are dead (2007), blue (2009), Clean Room Pilot (2010), Characters arriving (2011), Clean Room Season 1 (2012), Clean Room Season 2 (2014), El Triunfo de la Libertad (2014), Clean Room Season 3 (2016), Between what is no longer and what is not yet (2016), Festival Avant-Garten (2017), My Only Memory (2018)

In the last 14 years he has curated different festivals and programs. He was, amongst others, artistic director of the Festival In-Presentable/La Casa Encendida (2003-12), co-director of Living room Festival (2010-13), co-curator of Picnic Sessions at C2M-Madrid (2013-15), co-director Festival Avant-Garten at Interntional Sommer Festival Kampnagel-Hamburg (2017).